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Max Ernst, 1946 -by  Frederic Sommer© Frederic and Frances Sommer Foundation
from Frederic and Frances Sommer Foundation via JdP

Max Ernst, 1946 -by  Frederic Sommer
© Frederic and Frances Sommer Foundation

from Frederic and Frances Sommer Foundation via JdP

Witter Bynner, ca 1925 -by  Margrethe Mather
from CCP via JdP

Witter Bynner, ca 1925 -by  Margrethe Mather

from CCP via JdP

Bert Brecht, Paris, 1937 -by  Josef Breitenbach© Josef and Yaye Breitenbach Foundation
from CCP via JdP

Bert Brecht, Paris, 1937 -by  Josef Breitenbach
© Josef and Yaye Breitenbach Foundation

from CCP via JdP

Gordon Parks, nd -by David Fahey

Every time I make a picture I know this moment will not come again. There is something historical, creative, and exciting about documenting the faces of talented individual artists who in some cases change the way we think and interpret our lives.

photo and quote from : David Fahey: My photographer’s friends, in Le Journal de la Photographie

Gordon Parks, nd -by David Fahey

Every time I make a picture I know this moment will not come again. There is something historical, creative, and exciting about documenting the faces of talented individual artists who in some cases change the way we think and interpret our lives.

photo and quote from : David Fahey: My photographer’s friends, in Le Journal de la Photographie

Manuel Alvarez Bravo, Coyocán, Mexico City, 1982 -by David Fahey

from JdP (photo 1) and Chasing Light (photo 2)

Grete Stern, No. 1 from the series Sueños (Dreams)1949
entregulistanybostan:

Grete Stern No. 1 from the series Sueños (Dreams)1949
Gelatin silver print 10 1/2 x 9″ (26.6 x 22.9 cm)
Latin American and Caribbean Fund through gift of Marie-Josée and Henry R. Kravis in honor of Adriana Cisneros de Griffin © 2012 Horacio Coppola
Source

Grete Stern, No. 1 from the series Sueños (Dreams)1949

entregulistanybostan:

Grete Stern
No. 1 from the series Sueños (Dreams)1949

Gelatin silver print 10 1/2 x 9″ (26.6 x 22.9 cm)

Latin American and Caribbean Fund through gift of Marie-Josée and Henry R. Kravis in honor of Adriana Cisneros de Griffin
© 2012 Horacio Coppola

Source

Dziga Vertov, Chelovek s kinoapparatom (Man with a Movie Camera) (still), 1929
mythologyofblue:

Dziga Vertov, Chelovek s kinoapparatom (Man with a Movie Camera) (still), 1929

Dziga VertovChelovek s kinoapparatom (Man with a Movie Camera) (still), 1929

mythologyofblue:

Dziga Vertov, Chelovek s kinoapparatom (Man with a Movie Camera) (still), 1929

Pablo Picasso, Max Jacob, Janvier 1915

About this portrait, Picasso said he wanted to check if “he still could draw like everybody else.”

from rmn

Pablo Picasso, Max Jacob, Janvier 1915

About this portrait, Picasso said he wanted to check if “he still could draw like everybody else.”

from rmn

Max Jacob, chez Picasso, boulevard de Clichy, 1910-1911 -by Pablo Picasso  [+]

Dans une maison de Montmartre [le Bateau-Lavoir, rue Ravignan], dont les murs et les plafonds sont faits de planches mal jointes et de vieilles poutres, habitait vers 1905 le dernier théoricien de l’art et le producteur le plus sérieux et le plus important de nouveautés plastiques.— Max Jacob, Le Roi de Béotie, 1921 (in Max Jacob, Oeuvres, Ed. Gallimard, 2012)

photo from rmn

Max Jacob, chez Picasso, boulevard de Clichy, 1910-1911 -by Pablo Picasso  [+]

Dans une maison de Montmartre [le Bateau-Lavoir, rue Ravignan], dont les murs et les plafonds sont faits de planches mal jointes et de vieilles poutres, habitait vers 1905 le dernier théoricien de l’art et le producteur le plus sérieux et le plus important de nouveautés plastiques.
— Max Jacob, Le Roi de Béotie, 1921 (in Max Jacob, Oeuvres, Ed. Gallimard, 2012)

photo from rmn

At a certain moment for the person who has lost everything, whether that means a being or a country, language becomes the country. One enters the country of words.
– Hélène Cixous, “From the Scene of the Unconscious to the Scene of History” (via awritersruminations)
Max Ernst, 1946 -by  Frederic Sommer© Frederic and Frances Sommer Foundation
from Frederic and Frances Sommer Foundation via JdP

Max Ernst, 1946 -by  Frederic Sommer
© Frederic and Frances Sommer Foundation

from Frederic and Frances Sommer Foundation via JdP

Witter Bynner, ca 1925 -by  Margrethe Mather
from CCP via JdP

Witter Bynner, ca 1925 -by  Margrethe Mather

from CCP via JdP

Bert Brecht, Paris, 1937 -by  Josef Breitenbach© Josef and Yaye Breitenbach Foundation
from CCP via JdP

Bert Brecht, Paris, 1937 -by  Josef Breitenbach
© Josef and Yaye Breitenbach Foundation

from CCP via JdP

Gordon Parks, nd -by David Fahey

Every time I make a picture I know this moment will not come again. There is something historical, creative, and exciting about documenting the faces of talented individual artists who in some cases change the way we think and interpret our lives.

photo and quote from : David Fahey: My photographer’s friends, in Le Journal de la Photographie

Gordon Parks, nd -by David Fahey

Every time I make a picture I know this moment will not come again. There is something historical, creative, and exciting about documenting the faces of talented individual artists who in some cases change the way we think and interpret our lives.

photo and quote from : David Fahey: My photographer’s friends, in Le Journal de la Photographie

Manuel Alvarez Bravo, Coyocán, Mexico City, 1982 -by David Fahey

from JdP (photo 1) and Chasing Light (photo 2)

Grete Stern, No. 1 from the series Sueños (Dreams)1949
entregulistanybostan:

Grete Stern No. 1 from the series Sueños (Dreams)1949
Gelatin silver print 10 1/2 x 9″ (26.6 x 22.9 cm)
Latin American and Caribbean Fund through gift of Marie-Josée and Henry R. Kravis in honor of Adriana Cisneros de Griffin © 2012 Horacio Coppola
Source

Grete Stern, No. 1 from the series Sueños (Dreams)1949

entregulistanybostan:

Grete Stern
No. 1 from the series Sueños (Dreams)1949

Gelatin silver print 10 1/2 x 9″ (26.6 x 22.9 cm)

Latin American and Caribbean Fund through gift of Marie-Josée and Henry R. Kravis in honor of Adriana Cisneros de Griffin
© 2012 Horacio Coppola

Source

Dziga Vertov, Chelovek s kinoapparatom (Man with a Movie Camera) (still), 1929
mythologyofblue:

Dziga Vertov, Chelovek s kinoapparatom (Man with a Movie Camera) (still), 1929

Dziga VertovChelovek s kinoapparatom (Man with a Movie Camera) (still), 1929

mythologyofblue:

Dziga Vertov, Chelovek s kinoapparatom (Man with a Movie Camera) (still), 1929

Pablo Picasso, Max Jacob, Janvier 1915

About this portrait, Picasso said he wanted to check if “he still could draw like everybody else.”

from rmn

Pablo Picasso, Max Jacob, Janvier 1915

About this portrait, Picasso said he wanted to check if “he still could draw like everybody else.”

from rmn

Max Jacob, chez Picasso, boulevard de Clichy, 1910-1911 -by Pablo Picasso  [+]

Dans une maison de Montmartre [le Bateau-Lavoir, rue Ravignan], dont les murs et les plafonds sont faits de planches mal jointes et de vieilles poutres, habitait vers 1905 le dernier théoricien de l’art et le producteur le plus sérieux et le plus important de nouveautés plastiques.— Max Jacob, Le Roi de Béotie, 1921 (in Max Jacob, Oeuvres, Ed. Gallimard, 2012)

photo from rmn

Max Jacob, chez Picasso, boulevard de Clichy, 1910-1911 -by Pablo Picasso  [+]

Dans une maison de Montmartre [le Bateau-Lavoir, rue Ravignan], dont les murs et les plafonds sont faits de planches mal jointes et de vieilles poutres, habitait vers 1905 le dernier théoricien de l’art et le producteur le plus sérieux et le plus important de nouveautés plastiques.
— Max Jacob, Le Roi de Béotie, 1921 (in Max Jacob, Oeuvres, Ed. Gallimard, 2012)

photo from rmn

At a certain moment for the person who has lost everything, whether that means a being or a country, language becomes the country. One enters the country of words.
– Hélène Cixous, “From the Scene of the Unconscious to the Scene of History” (via awritersruminations)
"At a certain moment for the person who has lost everything, whether that means a being or a country, language becomes the country. One enters the country of words."

About:

a little of this, a little of that...
Mostly photography, litterature, cinema...

The main point here is Photographic Portrait

You can reach me through the Question? box. Since I don't accept the Anonymous messages anymore, those who are not registered with tumblr. can leave a message to:
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