/page/2
Richard Avedon, NYC, 1992 -by Abe Frajndlich
entregulistanybostan:

Richard Avedon, NYC, 1992, por Abe Frajndlich.Vía

Richard Avedon, NYC, 1992 -by Abe Frajndlich

entregulistanybostan:

Richard Avedon, NYC, 1992, por Abe Frajndlich.
Vía

Colette avec Toby, Boulogne, 1922 -Autochrome by Roger Dumas[Musée Albert-Kahn]
theshipthatflew:

Collette (Una buena colección de imágenes del mundo en 1900.) via vacuii

Colette avec Toby, Boulogne, 1922 -Autochrome by Roger Dumas
[Musée Albert-Kahn]

theshipthatflew:

Collette (Una buena colección de imágenes del mundo en 1900.) via vacuii

… A Good Night - Good Day post…
yama-bato:
LAMPLIGHTER, KENSINGTON, CIRCA 1930BRANDT, BILL (1904-1983)

… A Good Night - Good Day post…

yama-bato:

LAMPLIGHTER, KENSINGTON, CIRCA 1930
BRANDT, BILL (1904-1983)
André Kertész at the ICP (International Center of Photography), New York, 1980 -by Lisl Steiner
Thank you yama-bato for this discovery and for so many more!
from iphotocentral

André Kertész at the ICP (International Center of Photography), New York, 1980 -by Lisl Steiner

Thank you yama-bato for this discovery and for so many more!

from iphotocentral

Alexander Calder fashioning a self-portrait from wire at his studio in Saché (France), 1968 -by Gjon Mili
from life

Alexander Calder fashioning a self-portrait from wire at his studio in Saché (France), 1968 -by Gjon Mili

from life

Thomas Hart Benton posing next to self-portrait, Martha’s Vineyard (MA), 1969 -by Alfred Eisenstaedt
from life

Thomas Hart Benton posing next to self-portrait, Martha’s Vineyard (MA), 1969 -by Alfred Eisenstaedt

from life

Bernard Buffet standing next to one of his self-portrait, 1955 -by Dmitri Kessel
from life

Bernard Buffet standing next to one of his self-portrait, 1955 -by Dmitri Kessel

from life

Fantaisie, 1863 -by De Torbéchet & Allain
Shall we call it “Acute Self-Portraitite”? or is it healthy sarcasm?
Nothing much is known about these photographers, except that they specialized in carte-de-visite sized photographs (like this one). This photograph is sometimes identified as a self-portrait of De Torbéchet; it was published in the magazine L’Artiste, ca 1863.
I could only find their full names: Zacharie-Jean-Baptiste Torbéchet and Prosper-Denis-Edouard Allain and that, in 1863 they applied to patent a process perfectionning photographical microscopy (no wonder). Some of their thematic carte-de-visite can be seen here.
from zeno

Fantaisie, 1863 -by De Torbéchet & Allain

Shall we call it “Acute Self-Portraitite”? or is it healthy sarcasm?

Nothing much is known about these photographers, except that they specialized in carte-de-visite sized photographs (like this one). This photograph is sometimes identified as a self-portrait of De Torbéchet; it was published in the magazine L’Artiste, ca 1863.

I could only find their full names: Zacharie-Jean-Baptiste Torbéchet and Prosper-Denis-Edouard Allain and that, in 1863 they applied to patent a process perfectionning photographical microscopy (no wonder). Some of their thematic carte-de-visite can be seen here.

from zeno

You sent for me to talk to you of art; and I have obeyed you in coming. But the main thing I have to tell you is, —that art must not be talked about.
– John Ruskin, Sesame and Lilies (via proustitute)

(via yama-bato)

Dada meeting at Weimar, Sept. 1922 -nd   [+](left to right)  Kurt Schwitters, Jean Arp, Max Burchartz, Lotte  Burchartz, Hans Richter,  Nelly van Doesburg, Cornelius van Eesheren,  Theo van Doesburg
yama-bato:

ANONYME REUNION DADA A WEIMAR,  Septembre 1922 Photographie en noir et blanc Tirage argentique Cachet de la succession Hans Richter au dos 12,5 x 8,5 cm Numéro d’inventaire de la succession: PH3-49 Note: De gauche à droite : Kurt Schwitters, Jean Arp, Max Burchartz, Mme  Burchartz, Hans Richter, Nelly van Doesburg, Cornelius van Eesheren,  Theo van Doesburg

Dada meeting at Weimar, Sept. 1922 -nd   [+]
(left to right)  Kurt Schwitters, Jean Arp, Max Burchartz, Lotte Burchartz, Hans Richter, Nelly van Doesburg, Cornelius van Eesheren, Theo van Doesburg

yama-bato:

ANONYME
REUNION DADA A WEIMAR,
Septembre 1922
Photographie en noir et blanc
Tirage argentique
Cachet de la succession Hans Richter au dos
12,5 x 8,5 cm
Numéro d’inventaire de la succession: PH3-49
Note: De gauche à droite : Kurt Schwitters, Jean Arp, Max Burchartz, Mme Burchartz, Hans Richter, Nelly van Doesburg, Cornelius van Eesheren, Theo van Doesburg

Richard Avedon, NYC, 1992 -by Abe Frajndlich
entregulistanybostan:

Richard Avedon, NYC, 1992, por Abe Frajndlich.Vía

Richard Avedon, NYC, 1992 -by Abe Frajndlich

entregulistanybostan:

Richard Avedon, NYC, 1992, por Abe Frajndlich.
Vía

Colette avec Toby, Boulogne, 1922 -Autochrome by Roger Dumas[Musée Albert-Kahn]
theshipthatflew:

Collette (Una buena colección de imágenes del mundo en 1900.) via vacuii

Colette avec Toby, Boulogne, 1922 -Autochrome by Roger Dumas
[Musée Albert-Kahn]

theshipthatflew:

Collette (Una buena colección de imágenes del mundo en 1900.) via vacuii

… A Good Night - Good Day post…
yama-bato:
LAMPLIGHTER, KENSINGTON, CIRCA 1930BRANDT, BILL (1904-1983)

… A Good Night - Good Day post…

yama-bato:

LAMPLIGHTER, KENSINGTON, CIRCA 1930
BRANDT, BILL (1904-1983)
André Kertész at the ICP (International Center of Photography), New York, 1980 -by Lisl Steiner
Thank you yama-bato for this discovery and for so many more!
from iphotocentral

André Kertész at the ICP (International Center of Photography), New York, 1980 -by Lisl Steiner

Thank you yama-bato for this discovery and for so many more!

from iphotocentral

Alexander Calder fashioning a self-portrait from wire at his studio in Saché (France), 1968 -by Gjon Mili
from life

Alexander Calder fashioning a self-portrait from wire at his studio in Saché (France), 1968 -by Gjon Mili

from life

Thomas Hart Benton posing next to self-portrait, Martha’s Vineyard (MA), 1969 -by Alfred Eisenstaedt
from life

Thomas Hart Benton posing next to self-portrait, Martha’s Vineyard (MA), 1969 -by Alfred Eisenstaedt

from life

Bernard Buffet standing next to one of his self-portrait, 1955 -by Dmitri Kessel
from life

Bernard Buffet standing next to one of his self-portrait, 1955 -by Dmitri Kessel

from life

Fantaisie, 1863 -by De Torbéchet & Allain
Shall we call it “Acute Self-Portraitite”? or is it healthy sarcasm?
Nothing much is known about these photographers, except that they specialized in carte-de-visite sized photographs (like this one). This photograph is sometimes identified as a self-portrait of De Torbéchet; it was published in the magazine L’Artiste, ca 1863.
I could only find their full names: Zacharie-Jean-Baptiste Torbéchet and Prosper-Denis-Edouard Allain and that, in 1863 they applied to patent a process perfectionning photographical microscopy (no wonder). Some of their thematic carte-de-visite can be seen here.
from zeno

Fantaisie, 1863 -by De Torbéchet & Allain

Shall we call it “Acute Self-Portraitite”? or is it healthy sarcasm?

Nothing much is known about these photographers, except that they specialized in carte-de-visite sized photographs (like this one). This photograph is sometimes identified as a self-portrait of De Torbéchet; it was published in the magazine L’Artiste, ca 1863.

I could only find their full names: Zacharie-Jean-Baptiste Torbéchet and Prosper-Denis-Edouard Allain and that, in 1863 they applied to patent a process perfectionning photographical microscopy (no wonder). Some of their thematic carte-de-visite can be seen here.

from zeno

You sent for me to talk to you of art; and I have obeyed you in coming. But the main thing I have to tell you is, —that art must not be talked about.
– John Ruskin, Sesame and Lilies (via proustitute)

(via yama-bato)

Dada meeting at Weimar, Sept. 1922 -nd   [+](left to right)  Kurt Schwitters, Jean Arp, Max Burchartz, Lotte  Burchartz, Hans Richter,  Nelly van Doesburg, Cornelius van Eesheren,  Theo van Doesburg
yama-bato:

ANONYME REUNION DADA A WEIMAR,  Septembre 1922 Photographie en noir et blanc Tirage argentique Cachet de la succession Hans Richter au dos 12,5 x 8,5 cm Numéro d’inventaire de la succession: PH3-49 Note: De gauche à droite : Kurt Schwitters, Jean Arp, Max Burchartz, Mme  Burchartz, Hans Richter, Nelly van Doesburg, Cornelius van Eesheren,  Theo van Doesburg

Dada meeting at Weimar, Sept. 1922 -nd   [+]
(left to right)  Kurt Schwitters, Jean Arp, Max Burchartz, Lotte Burchartz, Hans Richter, Nelly van Doesburg, Cornelius van Eesheren, Theo van Doesburg

yama-bato:

ANONYME
REUNION DADA A WEIMAR,
Septembre 1922
Photographie en noir et blanc
Tirage argentique
Cachet de la succession Hans Richter au dos
12,5 x 8,5 cm
Numéro d’inventaire de la succession: PH3-49
Note: De gauche à droite : Kurt Schwitters, Jean Arp, Max Burchartz, Mme Burchartz, Hans Richter, Nelly van Doesburg, Cornelius van Eesheren, Theo van Doesburg

"You sent for me to talk to you of art; and I have obeyed you in coming. But the main thing I have to tell you is, —that art must not be talked about."

About:

a little of this, a little of that...
Mostly photography, litterature, cinema...

The main point here is Photographic Portrait

You can reach me through the Question? box. Since I don't accept the Anonymous messages anymore, those who are not registered with tumblr. can leave a message to:
sam.chagalov [at] gmail [dot] com

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You are welcome to reblog. If you do so:
DO NOT remove the credit/source lines, please!