Noguchi about Brancusi
The concept itself came from the material, from the nature of material. His (Brancusi’s) work came from the creativity of the hand, how you hold a saw, what kind of a saw you hold… It was not a question merely of the result but of the process.
Quoted in: Anna C. Chave, Brancusi and Noguchi: Towards “A Larger Definition of Sculpture” - Full text (pdf) as well as some others available on Anna Chave Website
(lt to rt): Oswald de Andrade, Tarsila do Amaral [*], Yvette Farkou [friend of Dulce, Amaral’s daughter), Fernand Léger, Constantin Brancusi and Maximilien Gauthier, 14 July 1926 at the ‘Foire du Trône’ (Paris)
from rmn
Fernand Léger in Brancusi’s atelier, Paris, 1920 -by Constantin Brancusi
from rmn
Chess game, Villefranche-sur-mer, Sept. 1931 -by Constantin Brancusi
from rmn
Constantin Brancusi playing golf, Fontainebleau, 25 Sept. 1923 -nd [+]
Brancusi was initiated to golf by John Quinn, an american lawyer, a fan and buyer of Brancusi’s works and Brancusi became a fan of golf. That day, he played with John Quinn, Jeanne Robert Foster and Henri-Pierre Roché.
Erik Satie was present to watch and make comments… As Brancusi stroke the ball too hard, Satie said: «Golf was invented by the British and Anglo-Saxons. It is not a game for Romanians.»
However, he won the game. And Quinn offered him a set that Brancusi kept all his life. (ref.: Pontus Hulten, “Brancusi”)
from: Billy Klüver, Julie Martin, “Kiki et Montparnasse - 1900-1930” (Flammarion, 1989)
Brancusi in travel attire, 1904 -by unknown
[Brancusi left Romania in 1904 for Paris, according to the legend he made it by foot: Budapest, Vienna, Munich, Zurich, Bassel…]
via (RMN)
![Constantin Brancusi in his studio, Paris, 1946 -by Wayne Miller [+]
[a good selection of Brancusi and his work chez yama-bato
from magnum](http://25.media.tumblr.com/2f80ecf4afaf5827a5f2997268212c88/tumblr_mj48kxDC9H1qcl8ymo1_500.jpg)
