Elie Wiesel, New York, 1969 -by Philippe Halsman  [+]

Notwithstanding my doubts about language, and perhaps because of them, I plunge deeper and deeper into the whirlwind of the words I try to capture and tame. I cling to the notion that in the beginning there was the word; and that the word is the story of man; and that man is the story of God. If praying is an act of faith in God, then writing is a token of trust in man.—Elie Wiesel, in ‘And the sea is never full: Memoirs II 1969- ” (Knopf, 1999)

photo from heritage

Elie Wiesel, New York, 1969 -by Philippe Halsman  [+]

Notwithstanding my doubts about language, and perhaps because of them, I plunge deeper and deeper into the whirlwind of the words I try to capture and tame. I cling to the notion that in the beginning there was the word; and that the word is the story of man; and that man is the story of God. If praying is an act of faith in God, then writing is a token of trust in man.
—Elie Wiesel, in ‘And the sea is never full: Memoirs II 1969- ” (Knopf, 1999)

photo from heritage

Marion and Elie Wiesel, Self-Portrait 1973
From the Burt Britton Collection: Portrait of the Artist [Burt Britton asked the famous and the not-yet-famous he encountered to pick up a pen and draw themselves.]
via bloomsburry

Marion and Elie Wiesel, Self-Portrait 1973

From the Burt Britton Collection: Portrait of the Artist [Burt Britton asked the famous and the not-yet-famous he encountered to pick up a pen and draw themselves.]

via bloomsburry

Elie Wiesel (last on the right) at Buchenwald, April 16 1945 -by H. Miller
This is a detail of a famous photo taken inside Buchenwald Barrack 56 by Private H. Miller of the Civil Affairs Branch of the U. S. Army Signal Corps on April 16, 1945, five days after the Buchenwald camp was liberated by the Sixth Armored Division of the US Third Army on April 11, 1945. This photo was published by the New York Times on May 6, 1945 with the caption “Crowded Bunks in the Prison Camp at Buchenwald.” Block 56 was an adult barrack in the “Small Camp” at Buchenwald.
The story of this picture and the identification of other survivors can be read here. The photo is also analysed on a flickr post.

Elie Wiesel (last on the right) at Buchenwald, April 16 1945 -by H. Miller

This is a detail of a famous photo taken inside Buchenwald Barrack 56 by Private H. Miller of the Civil Affairs Branch of the U. S. Army Signal Corps on April 16, 1945, five days after the Buchenwald camp was liberated by the Sixth Armored Division of the US Third Army on April 11, 1945. This photo was published by the New York Times on May 6, 1945 with the caption “Crowded Bunks in the Prison Camp at Buchenwald.” Block 56 was an adult barrack in the “Small Camp” at Buchenwald.

The story of this picture and the identification of other survivors can be read here. The photo is also analysed on a flickr post.

Elie Wiesel, nd -by Steven J. Gelberg
via steven gelberg

Elie Wiesel, nd -by Steven J. Gelberg

via steven gelberg

Elie Wiesel, New York, 1969 -by Philippe Halsman  [+]

Notwithstanding my doubts about language, and perhaps because of them, I plunge deeper and deeper into the whirlwind of the words I try to capture and tame. I cling to the notion that in the beginning there was the word; and that the word is the story of man; and that man is the story of God. If praying is an act of faith in God, then writing is a token of trust in man.—Elie Wiesel, in ‘And the sea is never full: Memoirs II 1969- ” (Knopf, 1999)

photo from heritage

Elie Wiesel, New York, 1969 -by Philippe Halsman  [+]

Notwithstanding my doubts about language, and perhaps because of them, I plunge deeper and deeper into the whirlwind of the words I try to capture and tame. I cling to the notion that in the beginning there was the word; and that the word is the story of man; and that man is the story of God. If praying is an act of faith in God, then writing is a token of trust in man.
—Elie Wiesel, in ‘And the sea is never full: Memoirs II 1969- ” (Knopf, 1999)

photo from heritage

Marion and Elie Wiesel, Self-Portrait 1973
From the Burt Britton Collection: Portrait of the Artist [Burt Britton asked the famous and the not-yet-famous he encountered to pick up a pen and draw themselves.]
via bloomsburry

Marion and Elie Wiesel, Self-Portrait 1973

From the Burt Britton Collection: Portrait of the Artist [Burt Britton asked the famous and the not-yet-famous he encountered to pick up a pen and draw themselves.]

via bloomsburry

Elie Wiesel (last on the right) at Buchenwald, April 16 1945 -by H. Miller
This is a detail of a famous photo taken inside Buchenwald Barrack 56 by Private H. Miller of the Civil Affairs Branch of the U. S. Army Signal Corps on April 16, 1945, five days after the Buchenwald camp was liberated by the Sixth Armored Division of the US Third Army on April 11, 1945. This photo was published by the New York Times on May 6, 1945 with the caption “Crowded Bunks in the Prison Camp at Buchenwald.” Block 56 was an adult barrack in the “Small Camp” at Buchenwald.
The story of this picture and the identification of other survivors can be read here. The photo is also analysed on a flickr post.

Elie Wiesel (last on the right) at Buchenwald, April 16 1945 -by H. Miller

This is a detail of a famous photo taken inside Buchenwald Barrack 56 by Private H. Miller of the Civil Affairs Branch of the U. S. Army Signal Corps on April 16, 1945, five days after the Buchenwald camp was liberated by the Sixth Armored Division of the US Third Army on April 11, 1945. This photo was published by the New York Times on May 6, 1945 with the caption “Crowded Bunks in the Prison Camp at Buchenwald.” Block 56 was an adult barrack in the “Small Camp” at Buchenwald.

The story of this picture and the identification of other survivors can be read here. The photo is also analysed on a flickr post.

Elie Wiesel, nd -by Steven J. Gelberg
via steven gelberg

Elie Wiesel, nd -by Steven J. Gelberg

via steven gelberg

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a little of this, a little of that...
Mostly photography, litterature, cinema...

The main point here is Photographic Portrait

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