Noguchi about Brancusi
The concept itself came from the material, from the nature of material. His (Brancusi’s) work came from the creativity of the hand, how you hold a saw, what kind of a saw you hold… It was not a question merely of the result but of the process.
Quoted in: Anna C. Chave, Brancusi and Noguchi: Towards “A Larger Definition of Sculpture” - Full text (pdf) as well as some others available on Anna Chave Website
Isamu Noguchi, 1959 -by Clara Sipprell [+]
from cartermuseum
Isamu Noguchi’s Studio, New York, ca 1947 -by Berenice Abbott [+]
from cartermuseum
Isamu Noguchi, Paris, 1929 -by Berenice Abbott [+]
from cartermuseum
Isamu Noguchi, Italy 1965-1970 -by Dimitri Hadzi [+]
from MFA
Isamu Noguchi, 1983 -by Irving Penn
via utata
L’atelier d’Isamu Noguchi, New York 1947 -by André Kertész
via map
Isamu Noguchi, New York 1947 -by André Kertész
via map
![Isamu Noguchi, 1980 -by Yousuf Karsh [+]
from MFA](http://24.media.tumblr.com/f27d1ad9e86e8cb154f03e07147d0bfe/tumblr_mj2h119cHV1qcl8ymo1_500.jpg)
![Isamu Noguchi, New York, ca 1947 -by Berenice Abbott [+]
from heritage](http://24.media.tumblr.com/e7ea31ca0efc8d40d25584b7ca2a9755/tumblr_miyr6wPHzs1qcl8ymo1_500.jpg)
![Isamu Noguchi, New York, 1955 -by Louise Dahl-Wolfe [+]
from CCP](http://25.media.tumblr.com/tumblr_m9uricz9ER1qcl8ymo1_500.jpg)