André Kertész during his exhibit at Agathe Gaillard’s Gallery in front of a portrait of his wife [Elisabeth et moi, 1931], Paris, 1980 -by Martine Franck
from Magnum
André Kertész during his exhibit at Agathe Gaillard’s Gallery in front of a portrait of his wife [Elisabeth et moi, 1931], Paris, 1980 -by Martine Franck
from Magnum
The photographers Manuel Alvarez-Bravo, André Kertész and Henri Cartier-Bresson, Céreste (France), 1979 -by Martine Franck
from Magnum
André Kertész looking at a book of photographs by his friend and colleague, Willy Ronis, Paris, 1980 -by Martine Franck
(source : Magnum)
Martine Franck: André Kertész Looking at a Book of Photographs by His Friend and Colleague, Willy Ronis
Martine Franck André Kertész Looking at a Book of Photographs by His Friend and Colleague, Willy Ronis Undated
Martine Franck (2 April 1938 - 17 August 2012) - by Josef Koudelka, London, 2000
Martine Franck (2 April 1938 - 17 August 2012) - by Henri Cartier-Bresson, Paris, 1985
Avigdor Arikha in his atelier, Paris, 1975 -by Martine Franck [+]
[also by Cartier-Bresson]
Painting is expression. Not description - i.e. that in a mute language, and through a limited medium - brush or pencil - an event is recorded. But there is no way of summoning such an event. It summons. And there is no way of expressing beyond it or more than the medium permits. The medium dictates the language and the event shapes the expression.
— Avigdor Arikha, in ‘Facing Mount Zion - Seven Lithographs’ (Gordon Galleries, Tel Aviv, 1978)
from rmn
Henri Cartier-Bresson and Martine Franck, nd -by Claire Yaffa
[more Claire Yaffa chez yama-bato]
© Claire Yaffa, undated, Portrait of Henri Cartier-Bresson
“I was able to photograph Henri Cartier-Bresson because of the graciousness of Martine Franck. As I rang the bell to their apartment, overlooking the Tuileries, to say that I was nervous would be a complete understatement. The door opened for me and there was Martine — beautiful, warm and welcoming. She talked with me first and said no way should I use flash.
She then introduced me to Cartier-Bresson who was sitting at a table in their apartment. I was surprised there were no photographs of his or Martine’s on the walls, but there was the Leica camera next to him on the table. I asked if I could photograph them together and they graciously agreed. I witnessed the love and closeness they shared with one another.”
© Claire Yaffa, undated, Portrait of Henri Cartier-Bresson and Martine Franck
“They went on their terrace and when he was tired and had enough of me, he smiled and waved me away. He was tired when I was leaving and I took this photograph of him as he was rubbing his eyes.”
(Source: burnedshoes)
The publisher Robert Delpire with some of ‘his’ authors - (lt to rt) seated: Robert Delpire, Sarah Moon and Martine Franck; standing: Jeanloup Sieff, Jacques-Henri Lartigue and Henri Cartier-Bresson, Paris, 1973 -by Jacques-Henri Lartigue
from L’Express
Yaacov Agam, 2010 -by Martine Franck [+]
Martine Franck: “Venus d’ailleurs”, peintres et sculpteurs à Paris depuis 1945
- an Exhibition: La Maison européenne de la photographie
- a Book
from mep
Dado (Miodrag Djuric), Hérouval, 2007 -by Martine Franck [+]
Martine Franck: “Venus d’ailleurs”, peintres et sculpteurs à Paris depuis 1945
- an Exhibition: La Maison européenne de la photographie
- a Book
from mep
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The main point here is Photographic Portrait
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