/tagged/philippe+halsman/page/2
Edward Steichen, ca 1960 -by Philippe Halsman  [+]  [+]
from ICP

Edward Steichen, ca 1960 -by Philippe Halsman  [+]  [+]

from ICP

Elie Wiesel, New York, 1969 -by Philippe Halsman  [+]

Notwithstanding my doubts about language, and perhaps because of them, I plunge deeper and deeper into the whirlwind of the words I try to capture and tame. I cling to the notion that in the beginning there was the word; and that the word is the story of man; and that man is the story of God. If praying is an act of faith in God, then writing is a token of trust in man.—Elie Wiesel, in ‘And the sea is never full: Memoirs II 1969- ” (Knopf, 1999)

photo from heritage

Elie Wiesel, New York, 1969 -by Philippe Halsman  [+]

Notwithstanding my doubts about language, and perhaps because of them, I plunge deeper and deeper into the whirlwind of the words I try to capture and tame. I cling to the notion that in the beginning there was the word; and that the word is the story of man; and that man is the story of God. If praying is an act of faith in God, then writing is a token of trust in man.
—Elie Wiesel, in ‘And the sea is never full: Memoirs II 1969- ” (Knopf, 1999)

photo from heritage

Philippe Halsman, Self-Portrait, 1979
from freeman

Philippe Halsman, Self-Portrait, 1979

from freeman

Thanks to:
burnedshoes:

© Philippe Halsman, ca. 1951, Portrait of Marc Chagall
This one is, again, especially for Monsieur Chagalov. Thanks for your help!
“If I create from the heart, nearly everything works; if from the head, almost nothing.” (Marc Chagall)

Thanks to:

burnedshoes:

© Philippe Halsman, ca. 1951, Portrait of Marc Chagall

This one is, again, especially for Monsieur Chagalov. Thanks for your help!

“If I create from the heart, nearly everything works; if from the head, almost nothing.” (Marc Chagall)

Helmar Lerski, [Zürich], 1950s -by Philippe Halsman    [+]
[see also some works chez yama-bato]
from swan

Helmar Lerski, [Zürich], 1950s -by Philippe Halsman    [+]

[see also some works chez yama-bato]

from swan

Marc Chagall, New York, 1943 -by Philippe Halsman
via heritage

Marc Chagall, New York, 1943 -by Philippe Halsman

via heritage

Winston Churchill, Chartwell, 1955 -by Philippe Halsman

According to Halsman, the image was taken with Churchill’s back to the camera, because the politician just for the fun refused to be photographed from the front. Halsman brought this game to an end in deciding to accept the fact that there would only be a picture of Churchill’s back amidst the idyllic English landscape. Finally this shot became more famous than the portrait that was chosen for the title page of Life magazine.(notice from Westlicht catalogue)

via westlicht

Winston Churchill, Chartwell, 1955 -by Philippe Halsman

According to Halsman, the image was taken with Churchill’s back to the camera, because the politician just for the fun refused to be photographed from the front. Halsman brought this game to an end in deciding to accept the fact that there would only be a picture of Churchill’s back amidst the idyllic English landscape. Finally this shot became more famous than the portrait that was chosen for the title page of Life magazine.
(notice from Westlicht catalogue)

via westlicht

Marc Chagall, 1950 -by Philippe Halsman
via fineart

Marc Chagall, 1950 -by Philippe Halsman

via fineart

Dame Edith Sitwell, 1937 -by Philippe Halsman

theshipthatflew:

Dame Edith Sitwell photographed by Philippe Halsman, 1937, gelatin silver print, via IMA

Dame Edith Sitwell, 1937 -by Philippe Halsman

theshipthatflew:

Dame Edith Sitwell photographed by Philippe Halsman, 1937, gelatin silver print, via IMA

Marc Chagall and Pablo Picasso, St. Paul de Vence, 1955 -by Philippe Halsman
via artnet

Marc Chagall and Pablo Picasso, St. Paul de Vence, 1955 -by Philippe Halsman

via artnet

Pablo Casals under the umbrella, ca 1966 -by Philippe Halsman
via GV

Pablo Casals under the umbrella, ca 1966 -by Philippe Halsman

via GV

How’s Business? Salvador Dalí, 1954 by Philippe Halsman
billyjane:

more  Dali from frenchtwist:]
How’s Business? Salvador Dalí by Philippe Halsman, 1954

How’s Business? Salvador Dalí, 1954 by Philippe Halsman

billyjane:

more  Dali from frenchtwist:]

How’s Business? Salvador Dalí by Philippe Halsman, 1954

Edward Steichen, ca 1960 -by Philippe Halsman  [+]  [+]
from ICP

Edward Steichen, ca 1960 -by Philippe Halsman  [+]  [+]

from ICP

Elie Wiesel, New York, 1969 -by Philippe Halsman  [+]

Notwithstanding my doubts about language, and perhaps because of them, I plunge deeper and deeper into the whirlwind of the words I try to capture and tame. I cling to the notion that in the beginning there was the word; and that the word is the story of man; and that man is the story of God. If praying is an act of faith in God, then writing is a token of trust in man.—Elie Wiesel, in ‘And the sea is never full: Memoirs II 1969- ” (Knopf, 1999)

photo from heritage

Elie Wiesel, New York, 1969 -by Philippe Halsman  [+]

Notwithstanding my doubts about language, and perhaps because of them, I plunge deeper and deeper into the whirlwind of the words I try to capture and tame. I cling to the notion that in the beginning there was the word; and that the word is the story of man; and that man is the story of God. If praying is an act of faith in God, then writing is a token of trust in man.
—Elie Wiesel, in ‘And the sea is never full: Memoirs II 1969- ” (Knopf, 1999)

photo from heritage

Philippe Halsman, Self-Portrait, 1979
from freeman

Philippe Halsman, Self-Portrait, 1979

from freeman

Thanks to:
burnedshoes:

© Philippe Halsman, ca. 1951, Portrait of Marc Chagall
This one is, again, especially for Monsieur Chagalov. Thanks for your help!
“If I create from the heart, nearly everything works; if from the head, almost nothing.” (Marc Chagall)

Thanks to:

burnedshoes:

© Philippe Halsman, ca. 1951, Portrait of Marc Chagall

This one is, again, especially for Monsieur Chagalov. Thanks for your help!

“If I create from the heart, nearly everything works; if from the head, almost nothing.” (Marc Chagall)

Helmar Lerski, [Zürich], 1950s -by Philippe Halsman    [+]
[see also some works chez yama-bato]
from swan

Helmar Lerski, [Zürich], 1950s -by Philippe Halsman    [+]

[see also some works chez yama-bato]

from swan

Marc Chagall, New York, 1943 -by Philippe Halsman
via heritage

Marc Chagall, New York, 1943 -by Philippe Halsman

via heritage

Winston Churchill, Chartwell, 1955 -by Philippe Halsman

According to Halsman, the image was taken with Churchill’s back to the camera, because the politician just for the fun refused to be photographed from the front. Halsman brought this game to an end in deciding to accept the fact that there would only be a picture of Churchill’s back amidst the idyllic English landscape. Finally this shot became more famous than the portrait that was chosen for the title page of Life magazine.(notice from Westlicht catalogue)

via westlicht

Winston Churchill, Chartwell, 1955 -by Philippe Halsman

According to Halsman, the image was taken with Churchill’s back to the camera, because the politician just for the fun refused to be photographed from the front. Halsman brought this game to an end in deciding to accept the fact that there would only be a picture of Churchill’s back amidst the idyllic English landscape. Finally this shot became more famous than the portrait that was chosen for the title page of Life magazine.
(notice from Westlicht catalogue)

via westlicht

Marc Chagall, 1950 -by Philippe Halsman
via fineart

Marc Chagall, 1950 -by Philippe Halsman

via fineart

Dame Edith Sitwell, 1937 -by Philippe Halsman

theshipthatflew:

Dame Edith Sitwell photographed by Philippe Halsman, 1937, gelatin silver print, via IMA

Dame Edith Sitwell, 1937 -by Philippe Halsman

theshipthatflew:

Dame Edith Sitwell photographed by Philippe Halsman, 1937, gelatin silver print, via IMA

Marc Chagall and Pablo Picasso, St. Paul de Vence, 1955 -by Philippe Halsman
via artnet

Marc Chagall and Pablo Picasso, St. Paul de Vence, 1955 -by Philippe Halsman

via artnet

Pablo Casals under the umbrella, ca 1966 -by Philippe Halsman
via GV

Pablo Casals under the umbrella, ca 1966 -by Philippe Halsman

via GV

How’s Business? Salvador Dalí, 1954 by Philippe Halsman
billyjane:

more  Dali from frenchtwist:]
How’s Business? Salvador Dalí by Philippe Halsman, 1954

How’s Business? Salvador Dalí, 1954 by Philippe Halsman

billyjane:

more  Dali from frenchtwist:]

How’s Business? Salvador Dalí by Philippe Halsman, 1954

About:

a little of this, a little of that...
Mostly photography, litterature, cinema...

The main point here is Photographic Portrait

You can reach me through the Question? box. Since I don't accept the Anonymous messages anymore, those who are not registered with tumblr. can leave a message to:
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